Huffinton Post Arts writer Priscilla Frank talks about:

Writing about art and culture for the Huffington Post, including how her writing and their audience differs from other visual arts hubs like Hyperallergic, and the difference between paid staff writing for the site and blog writing for the site, as well as the realities of click bait; outsider art, including the Outsider Art Fair, and why she’s a fan of the niche and its artists; her piece “F**k Your Idols: What Celebrity Worship Reveals About Female Sexuality,” which deconstructs women’s ambiguous desires to both be and/or f**k a given celebrity hero, in this case Rihanna…she argues her point by contrasting females tendencies with males through the avant garde-ish Is Tropical video “Dancing Anymore” (seen below), as well as John Berger’s Ways on Seeing, and how a woman puts more into how she presents herself is part of that; how, in contrast to what art writer Ben Davis suggested, Frank believes that art does for sure trickle into the popular culture (Beyonce, etc.); how cats have always been associated with femininity and feminine power, but it’s the artist Carolee Schneeman who has really tapped into that connection in her photo and video work; her discovery of the Oakland-based artist Stephanie Sarley, and her crazy-great fruit-sex Instagram videos and anthropomorphized vagina drawings; and how both she and Sarley’s goals are to get more women artists recognized, and how proud Frank is of her record of such a smorgasbord of coverage she does for the Post.

Megaforce Is tropical Dancing Anymore from website on Vimeo.

Brooklyn-based painter Shara Hughes talks about:

Being from Atlanta, and living between there, New York, and various cities where she did residencies; evolving as a New York artist while spending time in Atlanta, Denmark, and various residencies around the U.S.; having a hard time adjusting to living in New York initially, how she felt lonely and out of sorts finding friends beyond just colleagues, despite her career going well; the different levels of success of her various artist residency friends living in New York – some of whom were doing much better than she was, and others who essentially disappeared from view; how last year (in April, 2015), after American Contemporary Gallery closed, she became “single” (without gallery representation) for the first time since 2004, when Rivington Arms picked her up, and that there are actually opportunities in becoming “single” again; how she’s in the midst of “dating” several prospects, but that it’s a stressful process, partially because it’s difficult to know where to go to get good advice and deal with getting too many unwanted opinions; and her various day jobs, including working in the bakery at a Whole Foods…which she hated.