New York artist Will Cotton talks about:

His neighborhood of Tribeca, where he and his girlfriend bought a place, and how he’s seeing Chelsea galleries starting to move there; his studio schedule, and how he still allows time to be social and finds the need to be out – including providing face-time for collectors, et al. – even though he’s had gallery representation with Mary Boone since ’99; how he consciously keeps it down to just himself making his work (he does have an assistant, Emily, who handles the desk/administrative duties), because he’s seen artist friends turn into managers more than artists; how he builds his ‘tabletop maquettes,’ and one of his anecdotes in which he got in trouble for the overuse of a root beer waterfall for one his scenes; another anecdote involving discovering something inside one of the cakes from his maquettes, after its long-since dried shell cracked; the genesis of his using live models in his candy scenes, and how that’s both been fruitful and also gotten him into a little bit of trouble for accusations of exploitation; the ‘hedonistic and druggy’ (specifically vodka and cocaine) phase of his life, just prior to starting the candy land-fantasy work that’s become his oeuvre; and his gratefulness for his life in the studio.

  • Mocary

    I really enjoyed this one Michael. We had one of Will’s pieces in a group show here at the Belger in Kansas City last year. I met Will and his girlfriend Rose, a KC native. Great people. Now I have to ask my niece who graduated from MICA last year if she remembers (or was part of) the kerfluffle! Your bro in KC,MO Mo Dickens, Gallery Assistant, Belger Arts Center

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